Studi Kajian Motif Rempelis Gayo Lues

Authors

  • Fariani Fariani Balai Pelestarian Kebudayaan Aceh, Indonesia Author
  • Lasri Lasri Universitas Al Washliyah Darussalam Banda Aceh Translator

Keywords:

Rempelis, Kerawang Gayo Lues, Traditional Motif, Philosophical Values , Gayo Culture

Abstract

The Rempelis motif is one of the dominant decorative patterns found in Kerawang Gayo Lues textiles and holds significant aesthetic, philosophical, and socio-cultural value for the Gayo Lues community. Visually, the motif is characterized by an arrangement of orderly, interconnected lines and is generally produced using gold-colored thread on a black fabric base. This study aims to examine the form, production techniques, meanings, philosophical values, and development of the Rempelis motif in the social and cultural life of the Gayo Lues community. The study employed a descriptive qualitative approach, with data collected through interviews, observation, and a literature review. Interviews were conducted with cultural practitioners and individuals with knowledge of the development of Kerawang Gayo Lues, while the literature review was used to strengthen information concerning the history, form, function, and meaning of the Rempelis motif. The collected data were analyzed descriptively by identifying the motif's visual form, production process, and the cultural values embedded within it. The findings indicate that Rempelis, also known as Sede Benang, consists of vertically arranged straight lines that are repeated systematically and function both as boundaries and as significant compositional elements within Kerawang Gayo Lues. The motif embodies meanings associated with interconnectedness, order, solidarity, togetherness, adherence to customary norms, and the continuity of intergenerational social life. Changing times have encouraged innovations in the form, media, and applications of the Rempelis motif; nevertheless, its fundamental characteristics and philosophical values have been maintained. Thus, Rempelis functions not merely as a traditional ornament but also as a symbol of cultural identity and an important component of efforts to preserve the cultural heritage of Gayo Lues.

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References

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Published

2026-06-30

How to Cite

Studi Kajian Motif Rempelis Gayo Lues. (2026). POMEURAH: Indonesian Journal of Humanities, 3(1), 76-87. https://journal.lheesagoepress.com/Pomeurah/article/view/45